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THE FILMMAKER-ACTIVIST AND THE COLLECTIVE:

Robert Kramer and Jean-Luc Godard

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5. BIBLIOGRAPHY


ROBERT KRAMER BIBLIOGRAPHY


Pascal Bonitzer, Dominique Villain, Serge Daney, Jean Narboni, Serge le Peron, Therese Giraud, Serge Toubiana, “Round table: Milestones and us”  in ed. David Wilson, Cahiers du Cinema, Volume 4: 1973-1978: History, Ideology, Cultural Struggle (Routledge, 2000)

Leo Braudy, “Newsreel: A Report” in Film Quarterly, 1968/December 1969, Vol. 21, No. 2, Pages 48-52

Michelle Citron, Chuck Kleinhans and Julia Lesage, “White Punks on Revolution in Milestones” in Jump Cut: A Review of Contemporary Media, 1976, http://www.ejumpcut.org/archive/onlinessays/JC1011folder/MilestonesCitnKlnsLes.html

Serge Daney, “The Acquarium (Milestones)” in ed. David Wilson, Cahiers du Cinema, Volume 4: 1973-1978: History, Ideology, Cultural Struggle (Routledge, 2000)

John Hess, “Notes on US Radical Film, 1967-1980” in Jump Cut: A Review of Contemporary Media, 1979, http://www.ejumpcut.org/archive/onlinessays/ JC21folder/USRadicalFilmHess.html

Christine Choy interviewed by Sherry Millner, “Third World Newsreel—ten years of left film” in Jump Cut: A Review of Contemporary Media, 1982, http://www.ejumpcut.org/archive/onlinessays/JC27folder/ChrisChoyInt.html

Robert Kramer, Norm Fruchter, Marilyn Buck, Karen Ross, “Newsreel” in Film Quarterly, 1968/December 1969, Vol. 21, No. 2, pp43-48

Robert Kramer and John Douglas interviewed by G. Roy Levin, “Reclaiming Our Past, Reclaiming Our Beginning” in Jump Cut: A Review of Contemporary Media, 1976, http://www.ejumpcut.org/archive/onlinessays/JC10-11folder/KramerDouglasIntLevin.html

Emil de Antonio and Bill Nichols, “Critical Dialogue: The Year of the Pig” in Jump Cut: A Review of Contemporary Media, 1978, http://www.ejumpcut.org/archive/onlinessays/JC19folder/DeAntonioDialog.html

Bill Nichols, Newsreel: documentary filmmaking on the American left, (New York, Arno Press, 1980)

Newsreel, “Some Newsreel Documents [1967-68]” ed. Massimo Teodori, The New Left: A Documentary History (Jonathan Cape, 1970), p387

Michael Renov, “Newsreel: Old and New—Towards a Historical Profile” in ed. Henderson, Martin & Amazonas, Film Quarterly: Forty Years—A Selection (University of California Press, 1999)

Michael Renov, “Early Newsreel: The Construction of a Political Imaginary for the Left” in ed. Grant H. Kester, Art, Activism and Oppositionality (Duke University Press, 1998)

Robert Kramer, “Snap Shots”, 1997, on Official Robert Kramer website, www.windwalk.net

Paul McIsaac, “Creating Doc”, 1998, on Official Robert Kramer website, www.windwalk.net

Allan Siegel, “Some Notes About Newsreel and its Origins” at http://documentaryisneverneutral.com/words/siegelnewsreel.html

Roz Payne, “Early NR Life”, 2002, on http://www.newsreel.us/life.htm

Robert Kramer, personal email to Paul McIsaac, 5th August, 1998, archived at http://www.newsreel.us/NRe-mailz.htm

Cyril Neyrat, “Le Cinema Retrouve. Kramer. A Warrior” in Cahiers du Cinema N°610, March 2006, p.84-85, http://www.cahiersducinema.com/article696.html

Amos Vogel, Film as a Subversive Art (Weidenfeld and Nicolson, 1974)

Clive Hamilton in “Building on Kyoto” in New Left Review, 2005, http://www.newleftreview.org/?view=2671#_ednref14

JEAN-LUC GODARD BIBLIOGRAPHY

Ed. Jane de Almeida, Dziga Vertov Group (São Paulo: witz edições, 2005)

David Sterritt, Jean-Luc Godard: Seeing the Invisible (Cambridge University Press, 1999)

Ed. Michael Temple, James S. Williams & Michael Witt, Forever Godard (Black Dog, 2004)
Nicole Brenez, “Forms 1960-2004: ‘The Critical Faculty Invents Fresh Forms’” in ed. Michael Temple & Michael Witt, The French Cinema Book (BFI, 2004)

Alison Smith, French Cinema in the 1970s: The Echoes of May (MU Press, 2005)

Kaja Silverman and Harun Farocki, Speaking About Godard (NYU Press, 1998)

Andrew Sarris, “Godard and the Revolution”, 1970, in ed. David Sterritt, Jean-Luc Godard: Interviews (University of Mississippi Press, 1998)

Penelope Gilliatt, “The Urgent Whisper”, 1974, ed. David Sterritt, Jean-Luc Godard: Interviews (University of Mississippi Press, 1998)

James Roy McBean, “Godard and the Dziga Vertov Group: Film and Dialectics” in Film Quarterly, 1972, Vol. 26, no. 1, pp30-44

James Roy McBean, “See You at Mao: Godard’s Revolutionary British Sounds” in Film Quarterly, 1970-71, pp15-23

Gorin and Godard interviewed by Robert Phillip Kolker, “Angle and Reality: Godard and Gorin in America” in ed. David Sterritt, Jean-Luc Godard: Interviews (University of Mississippi Press, 1998)
Craig Keller, “Jean-Luc Godard” in Senses of Cinema, 2003, http://www.sensesofcinema.com/contents/directors/03/godard.html

Erik Ulman, “Jean-Pierre Gorin” in Senses of Cinema, 2003/2005, http://www.sensesofcinema.com/contents/directors/03/gorin.html#b8

Jonathan Dawson, “British Sounds” in Senses of Cinema, 2005,
http://www.sensesofcinema.com/contents/cteq/05/37/british_sounds.html

Darragh O’Donoghue, “La Chinoise” in Senses of Cinema, 2005, http://www.sensesofcinema.com/contents/cteq/05/37/chinoise.html

Jean-Pierre Gorin interviewed by Christian Braad Thomsen, “Filmmaking and History” in Jump Cut: A Review of Contemporary Media, 1974, http://www.ejumpcut.org/archive/onlinessays/JC03folder/GorinIntThomson.html

Julia Lesage, “Godard and Gorin’s Left Politics, 1967-1972” in Jump Cut: A Review of Contemporary Media, 1983, http://www.ejumpcut.org/archive/onlinessays/JC28folder/GodardGorinPolitics.html

Julia Lesage, “Godard-Gorin’s Wind from the East: Looking at a film politically” in Jump Cut: A Review of Contemporary Media, 1974, http://www.ejumpcut.org/archive/onlinessays/JC04folder/WindfromEast.html

James Monaco, “Le Gai Savoir: Picture and act: Godard’s plexus” in Jump Cut: A Review of Contemporary Media, 1975, http://www.ejumpcut.org/archive/onlinessays/JC07folder/GaiSavoirMonaco.html

Ruth Perlmutter, “Le Gai Savoir: Godard and Eisenstein—Notion of an Intellectual Cinema” in Jump Cut: A Review of Contemporary Media, 1975, http://www.ejumpcut.org/archive/onlinessays/JC07folder/GaiSavoirPerlmutter.html

J. Hoberman, “Tout va Bien Revisited” http://www.criterion.com/asp/release.asp?id=275&eid=402&section=essay

Serge Daney, “Theorise/terrorise (Godardian pedagogy)” in in ed. David Wilson, Cahiers du Cinema, Volume 4: 1973-1978: History, Ideology, Cultural Struggle (Routledge, 2000)

Naomi Klein, No Logo (Flamingo, 2001)


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